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Meliakova, Y. .
    Performativity and self-exploitation: body significance in late capitalist era [Текст] / Y. Meliakova, I. Kovalenko, E. Kalnytskyi, H. Kovalenko // Cogito. - 2021. - Vol. 13, Iss. 4. - P. 7-29
   Перевод заглавия: Ефективність та самоексплуатація: значення тіла в пізню капіталістичну еру

УДК

340.13

Аннотация: The paper represents a philosophical study of the social, political, legal, labour, cultural and anthropological status of a human in the contemporary environment of information technologies development, economic neoliberalism, limited employment, post-democracy, transhumanism, visual culture and pandemic. It attends to the performative practices of social activities, political will and human rights protection, which demonstrate the optimal opportunity of self-preservation and self-identity in the world of biopolitics and cognitive capitalism. The growth of the precariat is regarded as a catalyst of the opposite motion vectors: power activities and political subjects' activities. The performative actionism is viewed as a relevant strategy of human self-realisation in arts, politics, legal, commercial and business activities, as well as a kind of compensation for the human online existence in these areas. For a late capitalism autonomous individual, his or her corporeal and mental selfexploitation is considered as an effective integrative tactics.

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Meliakova, Y. .
    Performance Conceptualism: From Semantics to Body Language [Текст] / Y. Meliakova, G. Krapivnyk, I. Kovalenko, E. Kalnytskyi, S. V. Zhdanenko // Wisdom. - 2022. - Vol. 21, Iss. 1. - P. 139-153
   Перевод заглавия: Концептуалізм виконання: від семантики до мови тіла

УДК

122/129

РУБ DOI: 10.24234/wisdom.v21i1.614

Аннотация: The research focuses on the philosophy of performative actionism. It refers to the contemporary practices of installations, happenings, monstrations and flash mobs on different topics as to the concept of pure action. Performance is regarded as the relevant understanding technique to manifest the currently popular dynamism principle of arts and philosophical anthropology. The research aims to analyse the art experience of the subject.s bodily actions to demonstrate their anthropological authenticity, social significance, legal value, epistemological activity, and political will. As a result, authors conclude that non-semantic silent performances reveal limited possibilities of modern human self-realisation despite having several rights, freedoms and technologies to improve their lives. Performance is viewed as a conceptual model of individual functioning in the polyontic reality. As an alternative to the linguistic one, self-representation through performance is a rather flawed but relevant means of showing the nature of the subject.s existence in the contemporary social, legal, political and cultural environment.

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